Superunion

By Alex Baranowski Composer Tagged as BBC Two, How I See Sound, Superunion

How I See Sound – Talk at Superunion

I was honoured to be asked to speak at an event organised and hosted by the brilliant Superunion earlier this week; I collaborated very closely with the brilliant design agency alongside BBC Creative for the new BBC Two idents on which I composed music and sound for all 30+ new idents that launched in 2018.

4 years ago3 years ago

By Alex Baranowski Composer Tagged as BBC Creative, Cannes Lion, D&AD, Music + Sound Awards, Sound Design, Superunion

BBC Two Idents win Music + Sound Award for Best Sound Design

Very happy to have won a Music + Sound Award for my soundtrack for the BBC Two idents working alongside BBC Creative and Superunion. It has been a great year with the project picking up pretty much every award going, including a Cannes Lion, D&AD Pencil and a host of other top industry awards. (BBC Creative...

4 years ago3 years ago

By Alex Baranowski Composer Tagged as BBC Creative, BBC Two, Composer, DPA, Idents, Kontakt, Moog, Neve, Pro Tools, Recording Techniques, Roland, Roli, Royer, Slate + Ash, Sontronics, Soundgas, Spitfire Audio, Superunion, The Mill

BBC Two Idents: Anatomy of a Soundscape

BBC Two Idents Agency: BBC Creative / Superunion The Brief: Whole new set of idents for BBC Two television channel Each animation is visually inspired by a mood and relates to the programmes that appear before or after them, as well as the programme trailers within the junctions. A connecting thread and recognisable signature was...

5 years ago3 years ago

By Alex Baranowski Composer Tagged as Aardman, Ari Weinkle, BBC 2, BBC Creative, Conlan Normington, David McLeod, FutureDeluxe, Helmut Breineder, Idents, Kenneth Robin, Kijek & Adamski, Mainframe, Superunion, The Mill

Music and Sound Design for new BBC 2 idents

Very happy to announce I’ve been working on a brand new set of idents for BBC 2 – the first batch of which are out tomorrow (27th September). As both composer and sound designer on the project based at my London studio, my aim was to build unique soundscapes for each film that blurred the...